This wasn't going to be the first time
Brynn Paters had played the famed Roxy on Sunset, but it was going to
be the most memorable. He used to lie awake late at night when his
parents were fast asleep, expecting him to be the same, with his
seven dollar, uncomfortably fitting earphones cranked up to unhealthy
decibels. The heavy bass emitting more distortion than rhythm in the
inadequately-prepared buds thumping away against his ear drums. The
screeching of Umar Brendl's high-pitched grasp at notes no man should
ever hit, let alone one who sings in a metal band, leaves traces of
an incessant humming in Brynn's ears long after the album has ended,
while the hypnotic and formulaic pounding of the drums usually
results in a subconscious air-drum clinic performed for no one. The posters adorning the
walls in his room depict the fashions stereotypical of 80's metal,
unabashed rock star poses shrouded in all the glitz and glamor
associated with the appropriately labeled glam rock culture.
Brynn's parents never really took an
interest in the things that interested him, which, coupled with their
complete lack of awareness surrounding how the real world exists for most
people led them to believe that this whole metal phase was completely
harmless, and, in fact, led them astray in believing that all the
colors and flamboyance of the scene were more or less synonymous with
children's television. They felt it kept him from playing in the
streets and basically being a nuisance to the other parents in the
neighborhood, so they let him indulge in his little fantasy until,
they figured, he would grow out of it and find a calling more apropos
to his upbringing. They splurged on the fender he wanted and paid
for the lessons he claimed he needed, even applauding when he was
eager to showcase what he had either learned from his teacher – a
burnt-out ex-junkie named Karl, who used to be in an REO Speedwagon
coverband and who's greatest achievement in music was getting
arrested for trying to cut a lock of Brian May's hair when he was
soundchecking for a solo gig over at the House of Blues. Truthfully,
neither parent had any idea if Brynn was actually getting better or
if that's just how it was supposed to sound, but nevertheless they
encouraged his prowess and clandestinely breathed sighs of relief
that he wasn't more interested in that “gang music” making waves
over on the other side of LA.
However, unbeknownst to his parents,
Brynn had already succumbed to the lifestyle both good and bad. Even
though he was only twelve, he was already drinking, albeit moderately
and not because he enjoyed it, but because it was almost a
prerequisite. Karl always had cold beer in the fridge courtesy of Mr.
and Mrs. Paters' guitar lesson money, so the least he could do was
allow Brynn the opportunity to indulge. It wasn't long before Karl
offered Brynn a toke, opening up a whole new world for the kid
sixteen years his junior. Within weeks of their introduction, Brynn
went from being an enthusiastic, innocent kid with an affinity for metal to
rolling perfect blunts in the home of an ex-con. Karl had no remorse
as theoretically he was doing what he was being paid to do - teach
Brynn how to be a Rock N Roll musician. But unexpectedly to Karl,
something happened that forced him to take a step back and open his eyes,
even if it was for just a brief moment.
Brynn had become fucking good.
Like not just learning the notes and
understanding the basic chords for the most simplistic of songs good, in a
span of weeks Brynn had managed to transform from a little kid that
didn't even know how to hold a guitar properly to well beyond even
Karl's level of skill. He was able to mimic anything that Karl would
play and, not long after, anything he heard on the radio –
impeccably. The roles of teacher and student had soon turned into two
musicians just jamming – feeding off whatever the other plays. Karl
would watch in a stoned haze as Brynn's fingers would slide
effortlessly along the neck of his jet black electric guitar, almost
as if in slow motion, even though the blistering pace was unlike any
he had ever witnessed. Karl was witnessing first-hand a child prodigy
in the making, with a sound and skill level prime for the spotlight.
Only problem was the kid was only twelve.
“Dude,” Karl would say, his
attention focused on picking up the last few crumbs of weed on his
wooden coffee table and depositing them into a Zig-Zag. “You're,
like, really fucking good.”
And Brynn wouldn't even look up until
he smelt the familiar odor of burning herb, preferring to remain attentive on the six strings resting underneath his chin. “Yeah well, I could be
better.”
Karl would light up, take a deep hit
and pass it over Brynn's way. “I dunno, man,” his voice
unrecognizable, hesitant to exhale. “You're pretty fucking good.”
Brynn would take a drag off the poorly
rolled joint and let it dangle from his lips, grey ash silently
floating down and crumbling onto his hand as he swayed along to his
own music. He barely acknowledged Karl now as anything more than a
guy with a weed and a place to smoke it. Karl didn't much care seeing
as how he was still getting paid for supposedly giving lessons. It
wasn't long before Brynn got bored of hanging out with this nearly
thirty year old never-was and soon found himself auditioning for
local bands around the area looking for something fresh.
And it was when he met Alvin that everything changed for both the better and worst.
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